EXP3: Mash Up

Architectural balance can be achieved through symmetry, the effective usage of repetition and rhythm, and by dissolving the spatial boundaries of buildings. Rhythm in design is proposed to be the result of cognitive performance generated stylistically by creators and recognized consciously by beholders. That is, rhythm in design is a result of the design method consciously applied by human cognition of repetition. It is possible to stack independent masses upon each other and find shelter amongst the gaps, thus allowing space to flow freely through the structure. You can also have a near or approximate symmetry, with the masses placed on one side of the axis roughly copied on the other side. By ensuring that each mass retains its independence, any chance of forming envelopes that could generate box type special definition is avoided. Designers could apply these rules to generate harmonious patterns that allow the optimal connection for occupants with the natural world around them. This may be more difficult to achieve but a failure to achieve this can lead to a situation where the individual elements look right, but the combination seems awkward. In sum, rhythm, symmetry and the undefined space model are ingrained in the human conscience and therefore these techniques should be applied universally. 

References:

1. Boyne, Andrew. "Box Theory." Andrew T Boyne Architect. 2013. Accessed May 11, 2016. http://www.andrewtboyne.com/boxtheory.html 

2. Essley, Joffre. "Architectural Balance." Homesower. Accessed May 11, 2016.
http://www.house-design-coffee.com/architectural-balance.html

3. Chan, Chiu-Shui. "Phenomenology of rhythm in design." ScienceDirect. 2012. Accessed May 17, 2016.
http://www.sciencedirect.com/science/article/pii/S209526351200043X