EXP3: Moving Element Exercise

EXP3: Draft Section

EXP3: Plan to Section

EXP3: 36 Movement Textures

1. Linear
2. Rotational
3. Scalar
4. Chaos
5. Agitate
6. Inertia

EXP3: Two Point Perspectives

EXP3: One Point Perspectives

EXP3: Mash Up

Architectural balance can be achieved through symmetry, the effective usage of repetition and rhythm, and by dissolving the spatial boundaries of buildings. Rhythm in design is proposed to be the result of cognitive performance generated stylistically by creators and recognized consciously by beholders. That is, rhythm in design is a result of the design method consciously applied by human cognition of repetition. It is possible to stack independent masses upon each other and find shelter amongst the gaps, thus allowing space to flow freely through the structure. You can also have a near or approximate symmetry, with the masses placed on one side of the axis roughly copied on the other side. By ensuring that each mass retains its independence, any chance of forming envelopes that could generate box type special definition is avoided. Designers could apply these rules to generate harmonious patterns that allow the optimal connection for occupants with the natural world around them. This may be more difficult to achieve but a failure to achieve this can lead to a situation where the individual elements look right, but the combination seems awkward. In sum, rhythm, symmetry and the undefined space model are ingrained in the human conscience and therefore these techniques should be applied universally. 

References:

1. Boyne, Andrew. "Box Theory." Andrew T Boyne Architect. 2013. Accessed May 11, 2016. http://www.andrewtboyne.com/boxtheory.html 

2. Essley, Joffre. "Architectural Balance." Homesower. Accessed May 11, 2016.
http://www.house-design-coffee.com/architectural-balance.html

3. Chan, Chiu-Shui. "Phenomenology of rhythm in design." ScienceDirect. 2012. Accessed May 17, 2016.
http://www.sciencedirect.com/science/article/pii/S209526351200043X

EXP2: Final Images

The implementation of an artificial hill juxtaposes against the vast, open flatness of Anzac Parade, essentially acting as a key node of the landscape. The thin metal frame acts as both a shelter for passengers and as a visual marker through its coating of artificial grass, engaging the passer's-by interest through its unusual texture.


















The hill-like shape of the frame is supported in its centre by 2 structural arms, which seem to grow out of the ground, much like trees. The spaces beside the 2 arms are elevated into rolling hills, emphasising the natural qualities of the station.



The flowing frame of the station reminds the viewers of natural hills, whether it is viewed externally or from within. Its ability to stand with minimal supports brings to mind the idea of sustainability and efficiency.

Lumion Files
https://drive.google.com/open?id=0B-c0hlEORj-VWmw2YjlBQXFScjA

SketchUp Viewer:

EXP2: 36 Textures

EXP2: Electroliquid Aggregation

Key Concept by Walter Burley Griffin:

The use of the hills in a landscape as key nodes in a sophisticated three-dimensional urban geometry.

Key Concept by Moshe Safdie:
Buildings should be like an addition to its natural environment.

Electroliquid Aggregation:
The use of hills in a landscape as key nodes should assist in accommodating the implementation of urban structures. That is, an architect should take into consideration the importance of the surrounding environment and landscape whilst designing a building, such that they complement each other.